Rage

MALE BONDING debut album, MAY Tour and support for Blood Red Shoes in October

Nothing Hurts is the Sub Pop debut and first full-length for London-based trio Male Bonding. Scheduled for release on 10th May 2010, the album was recorded in the fall of 2009 in New York and was mixed and mastered by Pete Lyman at Infrasonic Sound. Read more

Vixen Of The Violin: The Anna Phoebe Column (No. 6)

This week, Anna Phoebe is still excited about Shakespeare being rocked up, swoons over a cello’s sounds (seriously!), admits to nicking someone’s Jack Daniel’s at a Kiss gig, finds Gene Simmons’ tongue ‘disgustingly fascinating’, is shocked by a Slash T-shirt and finds out a stalker isn’t a stalker… Click here to read Anna’s previous columns. Read more

REFUSED'S "THE SHAPE OF PUNK TO COME" TO BE RELEASED AS A DELUXE EDITION

Epitaph Records has announced plans to release a Deluxe Edition of one of the most influential hardcore albums of all time, The Shape of Punk to Come, from groundbreaking Swedish band Refused on June 7. Read more

RAGE & LINGUA MORTIS ORCHESTRA, SACRED STEEL Confirmed For Germany's ROCK HARD Festival

RAGE & LINGUA MORTIS ORCHESTRA and SACRED STEEL have been confirmed for this year's installment of the Rock Hard festival, set to take place May 21-23, 2010 at the Amphitheater in Gelsenkirchen, Germany.

RAGE & LINGUA MORTIS ORCHESTRA, SACRED STEEL Confirmed For Germany's ROCK HARD Festival

RAGE & LINGUA MORTIS ORCHESTRA and SACRED STEEL have been confirmed for this year's installment of the Rock Hard festival, set to take place May 21-23, 2010 at the Amphitheater in Gelsenkirchen, Germany.

Chimp Spanner – ‘At The Dream’s Edge’ CD Review

It’s fair to say that Chimp Spanner aren’t a run-of-the-mill proposition. From the opening quasi-orchestral strains of ‘galaxy rise’ (which recalls Voyage 34-era Porcupine Tree) into the first proper track ‘Superogation’ which bears a passing resemblance to vintage Dream Theater, this is progressive music writ large, all virtuoso guitar work and syncopated drums underscoring the crazed time signatures which propel the music. Read more

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